Faces of Architecture

AIA Honolulu’s EDI Committee (Equity, Diversity, Inclusion) presents to you the FACES OF ARCHITECTURE!

This exhibition highlights the rich diversity and inclusivity in the field of Architecture in Hawaii, encompassing age, gender, disabilities, race, ethnicity, and origin.                                                                                                                                                                                Our faces and our stories are as varied and diverse as our community. We invite you to explore our stories!

We asked 25 Architects...
  1. What led you to pursue a career in architecture? Share your personal journey and the motivations behind your decision.                                                            
  2. How do you perceive the current state of equity, diversity, and inclusion, and what steps do you think are necessary to further advance these principles in Architecture? Feel free to share your experiences, both lived and interpreted, including any challenges you've faced and overcome in promoting these values.
  3. How do you see architecture influencing the future of Hawaii?

  1. As a sophomore in high school, I loved art and math. I thought going into architecture would be a perfect balance between the two. Of course, once I started studying architecture and practicing in the real world, I learned it is much more than that. My journey from perceiving architecture as art and math, to understanding it as a multi-faceted profession and layered lifestyle with varying depths of connection to endless aspects in life has only been rewarding and continuously fulfilling.                                             
  2. The current state of equity, diversity and inclusion in architecture is hilly. In some cases, it is great. In the physical aspect, I see it across all firms I've been with or been associated with. Once diving deeper into the mechanics of the firm or into the coordination with disciplines or trades, I am noticing that certain behaviors, dynamics and general bias begin to surface. My experience in the last 5-10 years has been good for the most part, and I am fortunate. I do believe that if one acts professional, kind, and is hardworking and shows diligence and care, then respect and good collaboration will be returned. However, at times I have experienced the negative end of bias as a woman, a young professional, and as being hapa. I have tremendous hope and belief that the future will be in better harmony.                                                                                                                                                                                                                               
  3. I think both will influence each other. Architecture will influence the future of Hawaii, but Hawaii, its culture, its people, its resources, its environment will influence its architecture. Architecture and current/future technology and ideas can influence the people in Hawaii and the texture of the built environment. It can also inspire people and create spaces for human enjoyment, safety, productivity, and of course shelter. As we move towards the future, people's lifestyles evolve as well - from technology, political changes, pandemics, etc. Just in less than 50 years, things have gone from analog to digital to augmented reality, and more. I also see that the hyper-digital culture is causing crave to go back to analog - back to nature - and back to tactile experiences and face to face human connections. Architecture too will be influenced by these human behavioral changes/cravings. Here in Hawaii, I feel that the connection to culture, history, the aina, and the people is strong, and I hope this remains strong and apparent in the architecture here in the future.

  1. When I was eight, my grandmother's house in Tokyo was demolished due to safety concerns. This event sparked my interest in adaptive reuse, inspiring me to explore ways to preserve historic architecture and adapt it for modern living.                                                                                                                                                                                                                               
  2. We must advocate for greater equality in architecture by actively promoting increased representation of women and minorities in leadership roles. Educating the entire industry on equity principles is crucial to cultivating a more inclusive and diverse professional environment. Having witnessed the distinct yet valuable perspectives of male and female architects, I understand the importance of creating a supportive environment where women can thrive and remain in the industry.                                                                                                                                                                                                                                                                  
  3. Contemporary architecture in Hawaii lacks a true sense of place. To address this, we should draw inspiration from the indigenous Hawaiians who lived as stewards of the land, integrating their respect and understanding of the natural environment into our design philosophies.
  4.  

  1. As a young man I was interested in the world around me, in data and facts, analyzing how the past informed the future.  I was fascinated with politics, with how decisions are made across the centuries, the rise and fall of civilizations.  As a lover of the arts, I knew architecture had the ability to transcend and inform.  I was once told "architecture is the most public of art" and in our community there were so many great examples.  I grew up in mid-century modern Honolulu that also was informed by Art Deco and Bauhaus design. It was the inflection point between the high craft era and the high-tech era - manual drafting to modeling, faxes and analog telcons on speakerphones to zoom.  I wanted to be a part of the understanding of where we were and where we were going, and how we as a profession could be the leaders of that discussion, must be, are called to be.  I also understood as I was taught by my mentors that I needed to be out in the community sharing these ideas, our past training as team leaders and public participants required it, and I've been a part of it ever since.                                                                                                                                                                                                                                  
  2. I think the lesson of living in Hawaii has informed how I see DEI in our profession- we have the spirit of ohana here which embraces and amalgamates cultures, faiths, ages, sexes, beliefs and experiences into a pool that we can all draw from and be inspired by. The old adage of a melting pot or a rainbow is applicable, but I see it more as the reverse- our role as architects is to collect and connect all, bringing the spectrum together to create, through the prism of our profession, one shared, tessellated ray of purpose where all are represented in all their shapes, forms and identities, assembling in 4-d towards each purpose with cohesion and unique success.   Here at the crossroads and sharing point of so much in history, geography and culture and looking forward, we have much to teach others of what our world could and should be, and the opportunities outstretched before humankind.                                                                                                                                                                               
  3. I have always been an optimist regarding what the role of our profession should be- what our built environment can and should be- building on the iconic and ancient oceanic archetypes that were already here that understood place, time and purpose in harmony with climate, resource management and community.  As the rudder-holders and mariners guiding the canoe forward, it is our privilege to look past the horizon and, guided by the stars (kupuna/shared knowledge), embrace new and beneficial materials, methods and approaches, and take the best of the lessons learned by our ancestors and predecessors from both East and West and apply them to the projects and challenges of today and the future.  This approach I believe will continue to create a responsible, expressive and resilient human experience, informing our sister professions and the development of new technologies and systems in the built world to engage likewise. 

  1. My journey into architecture began with my childhood on the Island of Oahu. My dad was a landscaper and I would join him on job sites to help with the family business. On Sundays, my mom would take me to Catholic Mass. These experiences, both in the beautifully diverse landscapes of Hawaii and its impressive buildings, gave me an appreciation for architecture and the environment. I learned about the power of materiality, proportion, and craftsmanship and how they can be used to create spaces, in addition to the importance of sounds, smells, acoustics, and rituals. I was also exposed to the work of Vladimir Ossipoff and other influential architects who have helped shape modern day Hawaii. My childhood experiences motivated me to become a licensed architect. I wanted to create places and spaces that would inspire future generations. I earned a master’s degree in architecture at the University of Washington in Seattle, beginning a 15-year career which has included work at renowned firms such as Perkins+Will and HOK. I also spent several formative years at the landscape architecture firm Gustafson Guthrie Nichol (GGN). I have since completed a diverse range of built work including residential design, landscape design, high-use urban plazas, interior tenant improvements, and large airport facilities. In 2019, I returned to Hawaii, my birthplace and home state, where I co-founded Hamajang Studio, an architecture firm based in Waikoloa.                                                                                                                                         
  2. As a member of the LGBTQ+ community and the son of Filipino immigrants, I have seen progress in equity, diversity, and inclusion within architecture. However, there's still much work to be done.
    I have personally experienced cultural biases in this field, and I have also had to navigate spaces where I felt underrepresented and invisible. These experiences have strengthened my resolve to advocate for a more inclusive industry.                                                                                                                                                                                                        
    To advance these principles, we need to prioritize diverse representation in leadership roles and mentorship programs. This will ensure that all voices are heard and valued. It’s also essential to promote inclusive design practices that reflect the diverse communities we serve. Finally, we need to both foster open dialogues about biases and implement policies that support marginalized groups, in order to create a more equitable environment.                                                                                                                                                                         
    By sharing our stories and supporting one another, we can inspire the next generation of architects, which should reflect all backgrounds and perspectives.                                                                                                                                                                                 
  3. Architecture has a unique power to shape Hawaii’s future.
    Firstly, as architects in Hawaii, we have a special responsibility to protect and conserve the islands’ natural beauty and resources while incorporating modern technology. Additionally, a key feature of sustainable design is creating enduring designs that transcend generations and trends. These places and spaces of high-quality design will be appreciated and maintained, thus reducing waste.
    The built environment also creates the actual spaces where our diverse community comes together. As an architect, I want to help create a community-centric future that fosters unity, reflecting our state’s values of aloha and ohana.                                                                                                                                                                                                     
    Ultimately, architecture in Hawaii will be about creating a symbiotic relationship between people, culture, and nature. This field can help ensure that the built environment enhances the well-being of our entire community, regardless of status or background, while safeguarding our island’s beauty and resources.

  1. I wasn’t exposed to architecture growing up and although I loved building things and excelled in art class it was never on my radar. I discovered architecture later in life while doing some career soul searching. I was working in advertising sales at the time and, although it paid well, I didn’t feel a sense of accomplishment, nor did it feel like I was making a difference in peoples’ lives. I recalled taking an architecture history class in college and was fascinated with the effect that architecture can have on civilizations and how it was a part of history itself. I wanted to find a career that I could be passionate about and that had the potential to make a difference in people’s lives, so I went back to school for architecture.                                                                                                                                                                              
  2. I think it’s great that there has been more focus on highlighting the progress that has been made and the challenges in this area. Being born and raised in Hawai‘i I have always felt like this place is a good model of diversity and inclusion and often just took it for granted. But in Architecture there is a price of admission to both becoming an architect and accessing good architecture. To attract more architects from diverse backgrounds the profession needs to continue providing outreach to grade schools, particularly in under-resourced communities, to create awareness of the profession while providing more need-based scholarships for students that show potential in the field. In addition, the profession needs to provide high school and college students with advice on a career path and career opportunities that exist with a degree in architecture. Architects should engage the communities they serve and be active members of their own community to understand their unique needs and values and to avoid designing in a vacuum. When you have more architects from diverse backgrounds they bring a unique perspective that helps the profession better serve the unique neighborhoods and communities of Hawaii. There should be more opportunities for the community to access good design and architecture that are not monetized to maximize inclusion. When people of all socioeconomic classes are exposed to good design it elevates the acceptable standard of design in the community.                                                                                                                                                          
  3. Architecture has an influence on everything we do and is a constant reminder of the uniqueness of Hawaii. As an island in the middle of the Pacific, architecture in Hawaii will have to be designed for resilience as natural disasters are becoming more common. Architecture and the construction industry are one of the biggest contributors to pollution, climate change and energy use. Hawaii’s remote location also makes us dependent on importing building materials and fuel. Creating more sustainable architecture and construction practices will lessen the reliance on imports while minimizing the impact to the environment. Architecture can also provide equitable design by understanding the needs and values of the community and creating affordable housing that meets that need, while also creating uplifting environments that have a positive impact on people of all socioeconomic classes.
  4.  

  1. I believe that declaring architecture as my major was strongly influenced by my exposure to my first-ever architect, Waugh Smith, the principal architect for the Kahala Hilton Hotel in 1963 … when I was 14. I had worked in construction during summers and while attending the university full-time. The association with my classmates and design professors John Hara and Jorn Utzon provided much-needed motivation to maintain my interest in architecture. In 1975, with extreme satisfaction, I received my Hawaii ABC General Contractor's license, my MArch degree … and was awarded the AIA's Certificate of Merit as the school’s outstanding graduate student. It was very rewarding as I had spent my first 2 years of college on academic probation. In 1976 I enrolled in USC's program offering a PHD in Urban and Regional Planning and JD degrees. I then decided to change my career path to learn about the practice of architecture. I was hired as an architectural assistant by Norma Sklarek at Gruen Associates. Norma has the distinction of being the first black lady architect to be licensed in New York and California and the first to be elevated to Fellow. As a result of her encouragement and peer mentoring from Mike Enomoto and Tosh Makino, I was promoted to Job Captain/Architect within a year. I was licensed in Hawaii and California (1978) and began my architectural practice in Honolulu in 1979. Some of my early projects Included the Hotel Street Transit Mall, the Fire Training Center, Kalakaua Homes (low-rises) and the UH Baseball Stadium. I incorporated Pacific Architects in 1985 to support the numerous housing projects I had contracted with the Corps of Engineers and the Navy. I expanded our portfolio to include work for hotels, education, transportation, justice, hospitals, etc. The demands of the practice of architecture in Hawaii has required that we continue to adapt and change to keep up with our clients and technological needs. During a depressed period in Hawaii, I had also established PA International in Seattle (1997-2000) to supplement our workload. I also established DM Pacific development and construction in 2003 to offer design-build services. Architecture in Hawaii continues to be very challenging. It has also allowed me opportunities to advance … receiving my ArchD degree in 2000 and my AIA Fellowship in 2017.                                                                                                                                 
  2. I firmly believe that a great equalizing factor to level the playing fields for equity, diversity and inclusion requires that we all support education and knowledge sharing.  The practice of Architecture has changed drastically from when I first started. In 1973, I attended a session at MIT and saw the very workings of computer programming which we still apply today… but technology has progressed way beyond that. We need to support that progress by supporting the education that is required by our next generations to keep up… giving everyone opportunities to excel. I have been fortunate that my business allows me to support numerous organizations and programs that foster education ... UH, HCC, the AIA, the BIA, Asian American Architects and Engineers (Los Angeles), Boys and Girls Clubs, etc. I think it is also very important to have a presence and to assist our next generations. I like to believe that issues pertaining to equity, diversity and inclusion can be addressed with communication, understanding of individual needs, and also by offering our own encouragement and support.                                                                                                                                                       
  3. Architecture is a very necessary contributing factor to support the future of Hawaii. I believe that it needs to fit neatly into a piece of an entire pie. We all need to do our jobs. I believe that collaboration and networking in Hawaii are keys to ensure continued development and security for the profession. Plainly put, Hawaii is recognized as being different from anywhere else in the world. If we like to think that we live in a very special place, then that special place needs to be adaptable to all needs. Architecture needs to collaborate with all other disciplines and finding the right mix each time is so important.
  4.  
  5.  

  1. From a young age, my two main hobbies were building with Legos and drawing. I've always been fascinated by creating physical objects, making art, and solving problems. Choosing architecture, however, was somewhat accidental. I didn’t know much about the field initially, but I needed to choose a major, and architecture seemed to align with my interests.                                                                                                                                                                                                                                        In school, I found joy in designing aesthetically pleasing buildings while tackling complex challenges. I also enjoyed articulating my design process and defending my decisions. Throughout my career, I’ve worked in various areas of architecture, including traditional design, construction, manufacturing, and technical consulting. In my current role, I’m able to combine creativity with analytical thinking and engineering, using my skills to make a tangible impact on real buildings and solve meaningful problems.                                                                                                                                                                                                                             
  2. I’ll be the first to admit that equity, diversity, and inclusion (EDI) are not areas where I have deep expertise. However, in my opinion, while there is still a long way to go in achieving true EDI in architecture, the industry has made meaningful progress. There is a growing recognition of the value diverse perspectives bring, and fortunately, the current abundance of the work opportunities benefits everyone.                                                                                                                                                                                                                                                                                                                              In my practice, I strive to build diverse teams and encourage conversations that welcome different viewpoints whenever possible. A strong framework for mentorship and support within the firm or organization is essential. Personally, I believe that serving as a mentor and advocating for others—both within the company and on project teams—is the most impactful ways I can help advance these values.                                                                                                                                                                                                 
  3. Architecture plays a pivotal role in shaping the future of Hawaii, with new high-rises, developments, and commercial buildings being completed each year. Given the long lifespan of buildings, we have a unique opportunity to influence how people live, work, and interact with their environment for generations to come. This longevity also places a responsibility on us to design not only for current needs but also to address future challenges, such as sustainability and climate resilience. 

  1. My love for architecture, unbeknownst to me, began with the historical movies I saw as a child in India. The palaces, havelis, temples, marketplaces and the town squares within which the stories were enacted were as much a draw as the stories themselves. Visiting the ancient Ajanta and Ellora temple caves, the stepped wells of Gujarat, the walled town of Fatehpur Sikri - further drew me to architecture. These places came alive for me as I visualized the people that once interacted within them; I felt affected by the incredible sculptural and aesthetic quality of the spaces, the proportions, the spatial organization, and was intrigued by the construction technologies of the time. Fast forward to the 21 st century - it is exciting to be an architect in today’s time, and just like the ancients, to help solve contemporary design problems creatively, with cutting edge technology, and perhaps inspire the next generation.                                                                                                                                                                                          
  2. After becoming a parent and caregiver to our 2 children, I found it increasingly difficult to live and practice as an architect in Hawaii. I lacked adequate support and resources to thrive in my chosen home and profession. So, we packed and moved our family overseas for 8 years. While this worked for me, it is not a practical solution for most. In my observation, similarly, a number of the underrepresented groups that make it into careers are not able to thrive. While the American Institute of Architects (AIA) nationally and locally, has launched various initiatives aimed at promoting equity, diversity and inclusion within the profession, continued efforts from the AIA, our schools and colleges, and individual firms are essential. Additionally, the diversity in our local community is presently not reflected in the architectural field. We can change this by offering the keiki across all islands more exposure to a career in architecture – and where needed, provide access, mentorship, financial support and educational opportunities to underrepresented groups.                                                                                                                      
  3. I believe that architecture improves the quality of life.
    Isolation and loneliness are widely prevalent in our society today and are linked to dementia, sleep loss, heart disease and shorter lifespan. Thoughtfully crafted public spaces and buildings invite people to linger and connect. Can you think of an urban space or building that you find enjoyable to be in? For me, in Honolulu, I love being at events in the YWCA courtyard, eating in Tamarind Plaza downtown at lunch, and walking down King Street in the Capital District - especially during the Christmas season. Such spaces provide opportunities for social interaction and community cohesion and consequently strengthen the health of our communities. If we, as a community, truly prioritize architecture and invest in it, we can add to our inventory of inviting urban spaces here in Hawaii – and contribute to a healthier community.

    1. I was always drawn to things being built as a child. I loved watching cranes move pieces along just as I did with my Lego blocks. I loved building sandcastles and making the perfect castle! I remember a teacher trying to direct me to play with the dolls instead of the building blocks. I was adamant to play with the blocks and I still enjoy playing with building toys. My parents had a tenant who was an architect, and I would look to see what he was designing. I asked him about becoming an architect and he told me it was difficult and takes a really long time. I was undeterred since it fascinated me so much. I was ecstatic when I was accepted into the Architecture School at UH Manoa. But as my parents’ tenant said, it was a long and difficult journey to get through school. It took my 9-½ years to complete the five-year Bachelor of Architecture program. I was not prepared for internship, and I was fortunate to land a job willing to take me. Work was busy and I finished internship quicker than average. However, I didn’t see the immediate need to be licensed. And I did not start taking my exams until I realized that becoming a licensed architect is what I really wanted to be and that it would open more doors to me. The exams were brutal; I failed many, many times. Fortunately, I wasn’t the only one who failed and speaking with others motivated me to keep going until I passed all the exams. That struggle I had to finish school and passed the exams encouraged me to share with others that despite many setbacks, they too can become an architect! This led to my involvement with NCARB and becoming a licensing advisor.                                                                                                                                                                     
    2. My training as a licensing advisor showed me that while Hawaii is diverse, it isn’t the same in other states. One of my colleagues from Florida even states that he exemplifies the typical architect as a white male, and he’s seen the “privilege” and understands that things need to change to provide equality. I, too, would like to see that change so that architecture does not become stagnant and can grow as a profession. The different experiences that each person brings in their designs show humanity’s cultural growth.                                                                                       
    3. This in turn influences architecture here in Hawaii. The built environment is what people experience. It seems to me that many developments have been utilizing the same designs used in other new developments on the continent. There are many reasons why this is being utilized but there should be encouragement to design buildings that are unique to Hawaii and cannot be used in other areas around the world. Hawaii should remain unique to show that we are diverse.

  1. At a young age I discovered a portfolio of single-family home floor plans my parents had when they were considering building a house. For fun, I would study them and modify the plans by drawing floor plan ideas of my own. Later in architecture school I learned how the development and configuration of different spaces affect human behavior and interaction in courses of Architectural Psychology and Phenomenology.  I also learned that we have the ability to lift the human spirit through our design and that creating good design should be for all people to experience no matter of user's socio-economic status through study of Samuel Mockbee’s rural studio. Understanding that the built environment affects its surrounding environment and human behavior has been a driving force in how I approach architectural design.                                                                                                                      
  2. The practice of architecture has always needed to address matters of equity, diversity, and inclusion within any design challenge. Overall architectural design goals is the development of the space so that the user of that space may accomplish a specific function. To achieve such a goal the designer must understand the uniqueness of the user and their function or role to be accomplished within the designed space. Understanding the equity and diversity of each user is key to developing an inclusive experience within the space. In western history over the past 200 years the profession has been dominated mostly by wealthy Caucasian males, however in the last 30-40 years this has begun to shift. We are in the beginning of what hopefully will become a normality of diverse design professionals from various backgrounds and socioeconomic status. More work must be done, but the future is bright. The greater opportunity for prospective design creatives from diverse backgrounds to join the profession will in turn be reflected in the future design aesthetic. The greater diverse background of Professional Architects will lead to greater creative functional design solutions that reflect the diversity of the modern client. Approach to future design may in turn not be a result of just an academic understanding of the needs of the user, but also the similar shared experiences of both the user and the designer, as they both may come from similar backgrounds and life experiences that will in turn drive the design goals of the project.                                                                                                         
  3. Hawaii has a rich history in the development of its regional design aesthetic. Our local environment gives greater opportunities here in comparison to other places, an ability to incorporate a design aesthetic that embraces construction from renewable sources with low environmental impact from the building during its life cycle. Our culture of Aloha taken in its deepest meaning of defining “a force that holds together existence” in union with love of Ohana should motivate us to address our current socio economic challenges of the needs of the unhoused and the affordability of housing for all those who make Hawaii their primary home. As design professionals in Hawaii we must be part of the conversation but also propose viable design solutions to address the current homelessness and affordable housing crisis that is before us. We must develop a good design for all lifting the human spirit and is in harmony with the land.

  1. An early interest in both nature and the built environment undoubtedly heightened by both my father, an engineer, and my mother’s familiarity with the Dana house in Springfield Illinois. I was often given gifts of architectural books, especially those by Frank Lloyd Wright. An early Scuba Diver, I was fascinated by both dives in limestone quarries and in the ocean. My early heroes were Wright and Jacques Cousteau. In high school in the Midwest, I made a run for Hawaii although ended up in Military School. Following a semester at sea, was a trip to Arizona and visiting Taliesin West, where I was asked to become an Apprentice. There also, were two Apprentices from Hawaii. Learning of UH’s then fledging architectural program, I applied, was accepted and arrived at my earlier destination. While completing my degree I was fortunate to meet and work with many of the talented architects of Hawaii. With such valued experience and becoming licensed, I soloed.                                                                                                                 
  2. From this initial “soloing,” my firm expanded and then merged with another young firm. Eventually, we decided to pursue our separate agendas. While several from the prior firm comprised my side of this offshoot, , in retrospect as this firm grew, included were all of what is now labeled as equity, diversity, and inclusion. With a gender and ethnically diverse staff, our office was in an athletic club of which all could enjoy membership, profit sharing and roles of significant project participation. Personally, I never faced challenges in promoting such values, though they likely existed from other firms. Basically, we as humans are all in this together and should quell stigmas. Once one of our clients had a logo containing a few circles, each of a different color. For one of their projects, the design was incorporated onto a potential carpet tile design by our office. They became upended that anyone would walk on their “faces,” I thought that odd; they changed logos.                                                                          
  3. Good architecture, appropriate to Hawaii and improving the Islands built environment from looking like anywhere else but in Hawaii would be appropriate. Recently there have been published architectural students’ responses to rising sea levels; mostly raising things with yet more concrete. There’s uphill migration, floating cities and reversing the climatic process. I suppose we could find a way to freeze the ice caps, as well as scout further into the solar system. Most of us would likely prefer Hawaii. Hawaii is a place of beauty and sacred spirits, therein is the challenge to be heeded.

  1. Things I loved as a kid: High school mechanical drawing, parade float designing and building for homecoming, making dioramas and mobiles for elementary school book week, tying endless knots on a macramé plant hanger, climbing trees, finding great pahoehoe rocks to call home base. University of Washington architecture teachers that inspired me: Phil Thiel taught me how to really look at things and to care about precision. Barry Onouye taught me structures and it was common for him to start a lecture with the headlines of a recent building failure. Frank Ching taught me how to draw like an architect. Astra Zarina in Rome taught me how to appreciate the historical urban fabric and what it means to live in a city.  After graduation I worked for Roger Williams Architects which then merged with Mithun. I learned how to put together a construction document set, then designed a small house built in Japan to showcase American 2x framing and entered design competitions for fun. I knew that I needed to go to graduate school. I had a lot of questions. MIT graduate architecture teachers that inspired me: Ferdinand Domeyko taught me to utilize the inherent qualities of materials to create architecture. Maurice Smith taught me how to use references and to design with daylight as an intuitive guide through a building. Jan Wampler taught me the value of becoming a citizen-architect. I have been super lucky to have had great teachers who challenged and inspired me in architecture. They were all different in terms of focus and technique, but the commonality was always putting people and place at the very center.                                                                   
  2. I think we are making measurable progress as a profession. Leadership in the profession and in academia has shifted somewhat to look more like our overall population. We are not truly representative of our great diversity yet, but change is slow, and you have to celebrate the small wins. I think all of us need to put our citizen-architect hat on and be out there in public. Volunteering is one direct way to have an impact on future architects. Teaching architecture themed workshops at the public schools and local art center has put me in contact with teens that may want to pursue this career path. Being present and relatable can help break down barriers. Advocacy is another way to further equity, diversity, and inclusion in our community. I served for 10 years on the County of Hawaii Kona Community Development Plan Action Committee. From the start I had been advocating and laying the groundwork for an Open Space Network Plan. I framed the benefits in a very Olmstead fashion, that this future open space design could protect the environment by slowing down groundwater to allow for percolation and create habitat areas that absorb carbon, that it would create open park space for all people to use, that it could connect neighborhoods in a non-vehicular way, and especially here in Hawaii it could be the contemplative space for protected archaeological sites. The County hired a consultant in 2023 to develop the Kona Open Space Network and information gathering has begun. A good small win for sure. None of this has been easy, at times having a thick skin is barely enough. But I try to take the long view when it gets tough and I know that my education and professional experience has given me insights and skills that can benefit the larger community.                                                                                                                                                  
  3. Architecture becomes the setting for the making of community at various scales. Maybe it is a political rally in front of a government building. But it could also be on the sidelines of a soccer game, a bon dance at a Buddhist temple, a public art installation, a weekend farmers market, fishing at a pier, and bumping into your neighbors at the post office. We need to be designing the setting for our varied local communities for people to come together, and for ourselves to also be active participants. I really believe that the only way to solve the major issues of our time is through community.

  1. I was born and raised in Maracaibo, Venezuela. My love for art and design is rooted in my high school education, focused on both the arts and the sciences. As a sixteen-year-old, I enrolled to study architecture at La Universidad del Zulia (LUZ), one of Venezuela's premier public universities. I graduated with a 5-year professional degree and a license to practice in my home country. Shortly after, I was recruited as a teaching fellow and honored with a Fulbright/Laspau scholarship that provided higher education opportunities to people from Latin America and the Caribbean. This led me to pursue a master's degree at the University of Illinois. Chicago was the perfect place to study architecture. I began working at a small firm, and evenings and weekends were dedicated to developing entries for design competitions, a collaborative effort with my partner Brian Strawn. Our first project as, Strawn Sierralta, was a submission to the WTC Memorial Competition, which was selected as one of eight finalists in what turned out to be the largest design competition ever held. Other projects and adventures followed, including a move back and forth to Venezuela, teaching at the renowned Illinois Institute of Technology's College of Architecture, and serving as co-president of the Chicago Architectural Club. In 2016, I committed to a full-time position in academia when I accepted an invitation to join the University of Hawai'i's School of Architecture faculty. I now serve as an Associate Professor and Director of Undergraduate Studies. I am also a Principal Investigator and member of the start-up team at the UH Community Design Center. My hyphenated identity and unique experiences have informed my understanding of architecture. My journey as an architect continues to be a hybrid one, with layered roles as a designer, educator, researcher, and advocate.                                             
  2. Equity, diversity, and inclusion are complex and layered issues in our profession. They involve the approach to a project, the topics we decide to tackle, the processes we undertake, and the people we invite to the table. It takes specific values, such as integrity, honesty, kindness, courage, and empathy, to determine what is right while setting aside what is most convenient, faster, or causes less expense. Sometimes, these values are not top priorities, and then we are responsible for stepping up and saying something. As a woman, minority, and first-generation immigrant, I am still getting used to being comfortable with being uncomfortable. I have learned to adapt, work harder, be patient, and figure things out on my own. It is nice to be able to share our stories to create awareness of other perspectives so that boundaries can be shifted and opportunities multiplied. We are just getting started with conversations about EDI, and it will take time to understand the results of recent and current efforts, but we are going in the right direction. By listening, asking for permission (not for forgiveness), and being respectful and mindful of all identities, cultures, beliefs, abilities, and other differences, we are on our way toward understanding diversity beyond minimum requirements as something to embrace and celebrate.                                                                                                       
  3. It depends on how we define architecture. To me, architecture is both an art and a science. To practice architecture, you need to have a certain mindset. It involves carefully and thoughtfully assembling components to create spaces designed for people and communities, respecting the natural environment. Based on this definition, we could argue that just because something is built does not mean it is architecture. I am not saying we need to build more buildings, but we need more architecture, and perhaps this requires a further redefinition of the term. If we can imagine architects practicing in all fields, architecture would influence everything, including a better quality of life, with more walkable, sustainable, and equitable communities across Hawai‘i and beyond.
    1.  

  1. It was the promise that art and architecture were symbiotic. As an artist I was drawn to the idea that we can create spaces that ignite awe and wonder.                                                                                                             
  2. I’m no longer the only female in the room but we need to see more in the forefront.                                                                                   
  3. Let’s build for the people who live here not just the tourists. The architecture should reflect and enhance the beauty of the nature around us.

  1. I was seven when my family moved to a new neighborhood half built and I was immediately captivated at watching the creation of these homes before my eyes, that someone could decide how a house would be laid out. After construction hours I would walk the concrete floor slabs determining what rooms were where. From this point I wanted to be an architect having learned this new word from my parents. Not long after up to around the age of ten I had decided the suburban sprawl I lived in was boring and isolated for kids with everything other than endless houses too far to bike and too young to drive. That these suburban communities are for cars, not for people walking or biking, and that it contrasted greatly to my granddad's appealing old small town, where he walked one-third mile each day on tree-shaded sidewalks to and from his dentist practice next to a classic American Main Street, where everything was within a pleasant walking distance. A passion grew that added a concern for environmental architecture having experienced the Gulf-oil crisis of the 70's. In undergraduate architecture school I studied passive solar strategies and realized there was a bigger mission for architects than simply focused on the building of their design interest, that there is a much greater whole to consider - that the whole should always be greater than the sum of its parts. Upon finishing my Master of Architecture I felt tooled and knowledgeable with the design, place-making and sense-of-place skills to create a more meaningful better built environment, and eager to try make a difference.                                                                                                                            
  2. In our field of architecture in the State of Hawaii I think the current state of EDI is very good. I am old enough to have seen architecture classrooms in the late 70's and early 80's with one female at best and nobody of color, and my early career jobs with no employee's female or people of color, to where we are today with equal if not a majority of women and people from all walks of life, including my firm that at times was all female staff. I am a firm believer a company with people from all walks of life that allows them to bring their unique perspectives to the table only strengthens capability thereby improving the design.                                                                                                                                                                     
  3. I believe architecture more often than not reflects the present and/or the past in far too literal terms, and that architecture is a mirror to society in how we see and think about ourselves. Therefore, for architecture to influence the future of Hawaii we must transcend cultural influences and sense-of-place to new heights so that it speaks to what can be in an uplifting way, to what is possible in order to help inspire the endless possibility in all of us.

  1. From a young age, I was captivated by creation and design. My earliest memories involve countless hours spent playing with LEGOs, constructing anything I could imagine. This childhood fascination with building blocks laid the foundation for my future career in architecture. As I grew older, my interests expanded to include various forms of art and design. In community college, I eagerly enrolled in art and design classes, discovering a profound passion for creating aesthetically pleasing and functional spaces. These courses fueled my desire to pursue a career blending creativity with practicality. My love for both the natural and built environments also influenced my interest in architecture. I was intrigued by how buildings interact with their surroundings and impact the people who use them. This curiosity led me to study sustainable design principles and the importance of creating environmentally responsible spaces. Mathematics played a crucial role in my journey, as I enjoyed solving complex problems and applying mathematical concepts to real-world scenarios. This analytical aspect of architecture appealed to me, allowing me to combine my artistic vision with technical skills.                                                                                                                                                                     
  2. The current state of equity, diversity, and inclusion (EDI) in architecture is improving but still has a long way to go. The industry has traditionally lacked diverse representation, leading to a narrow range of perspectives in design and decision-making. A significant challenge is the underrepresentation of marginalized groups in both education and practice. To advance EDI, we must create more accessible pathways into the profession through scholarships, mentorship programs, and inclusive hiring practices. Work-life balance is another critical issue. The demanding nature of architecture often leads to burnout, disproportionately affecting those from underrepresented backgrounds. Firms should prioritize flexible work arrangements and a culture that values personal well-being alongside professional success. Additionally, advocating for better pay is essential to attract and retain diverse talent. Fair compensation can help ensure that the profession is accessible to people from all backgrounds. Promoting diversity in project teams is crucial, as diverse teams bring varied perspectives, leading to more innovative and inclusive designs. By addressing systemic barriers, promoting work-life balance, advocating for better pay, and fostering diversity, we can advance equity, diversity, and inclusion in architecture. This commitment will lead to a more vibrant, innovative, and inclusive profession.                                                                                                                                                                            
  3. Architecture will significantly influence the future of Hawaii by embracing solar punk aesthetics and integrating new technologies. Solar punk, with its focus on sustainability and community-centered design, aligns perfectly with Hawaii's environment and cultural values. By maximizing renewable energy sources like solar and wind power, architecture can help Hawaii achieve its goal of 100% renewable energy by 2045. Green infrastructure and biophilic design will transform urban environments, incorporating natural elements that promote well-being and connect residents with nature. This includes rooftop gardens, living walls, and public parks that provide ecological benefits and enhance the urban landscape. Mixed-use developments will be crucial in accommodating Hawaii's growth sustainably. By integrating residential, commercial, and recreational spaces within the same buildings or neighborhoods, architecture can reduce the need for extensive transportation, lower carbon footprints, and foster vibrant, walkable communities. Innovative construction methods and sustainable materials can address affordable housing needs. Modular and prefabricated housing offer efficient, cost-effective solutions for quality homes, ensuring that development meets the needs of all residents. Preserving Hawaiian culture and heritage in architectural design is crucial. By consulting with local communities and incorporating traditional elements, new developments can honor Hawaii’s identity and cultural richness. Overall, architecture will play a pivotal role in shaping Hawaii's future. By adopting solar punk* aesthetics, embracing mixed-use developments, and integrating new technologies, architecture can help Hawaii grow sustainably, ensuring a vibrant and resilient future for the islands.

            For more information about Solar Punk, click here.

  1. I did not know about a career in architecture until college. I wanted to be an engineer designing machines. I love drawing and every time I find myself board in class I would sketch. I would also participate in drawing or painting contests. On my senior year in high school, I won in the on-the-spot painting contest sponsored by the College of Fine Arts and Architecture in my hometown. The prize was a full-year scholarship to that college. Taking advantage of the free tuition, I enrolled in that college majoring in architecture. Architecture was a compromise to pursuing engineering. In my mind, art and function should go hand and hand. That's what I discovered in my first semester of architecture studio classes. I would say, I fell in love with architecture that year and dreamed of being an architect someday.                                                                                                                                                      
  2. The current state of equity, diversity, and inclusion is much better than before. I remember during my internships in Brisbane, Australia and mainland US in Arizona, feeling like a second class citizen besides being treated as an intern. I am grateful to be living and working here in the Aloha State, where my ethnicity is not a hindrance to my career development. In fact, in my international architectural practice focusing on hospitality design, the "Hawaii" trademark and "ethnic" look are a plus.                                                                                                                                                                           
  3. Architecture will definitely continue to influence the future of Hawaii. As we go more vertical and have denser urban areas we will see more contemporary buildings. I just hope our policies will continue to enforce and integrate greenery and landscaping in these places. Similar to what we see in places like Singapore, where the landscaping blurs the density of the architecture. By having more livable concentrated urban places and not sprawl, we could keep our sense of Hawaii more intact in the rural areas.
  4.  
  5.  

  1. I first decided to pursue architecture during my junior year of high school, driven by my passion for drawing, my aptitude for math, and my longstanding interest in the field. After spending the past four and a half years working in architecture, I've discovered just how fulfilling this career is. I relish the opportunity to help bring someone's dream home or workspace to life, transforming an idea from paper into a tangible structure. Additionally, I've greatly benefited from the connections I've made along the way, meeting many remarkable people in the industry.                                                                          
  2. For the past four years, I’ve worked at a one-person architectural firm where I had a great experience. I haven't encountered or witnessed any discrimination or unequal treatment based on race, gender, or sexual orientation in my time there. The people I’ve met in the architecture community on the Big Island of Hawaii have consistently been both courteous and professional. From my perspective, the architectural community here seems to be diverse and inclusive.                                                                             
  3. I believe architecture will play a significant role in shaping Hawaii's future. Key areas of impact include addressing affordable housing, which is essential for meeting the growing demand while keeping costs manageable through innovative architectural solutions. Additionally, Hawaii's economy is heavily reliant on tourism. Talented architectural teams can enhance this sector by designing captivating resorts and public spaces that blend seamlessly with the natural environment. By integrating sustainable design practices and honoring Hawaii's rich cultural heritage, architects will be pivotal in the island's development and overall progress.
  4.  
  5.  

  1. From a young age, I’ve been captivated by the art of drawing buildings. Growing up in the countryside of Rayong, Thailand, I spent countless hours sitting on the patio steps, sketching the houses in my neighborhood. I meticulously captured every detail and shadow, immersing myself in the architectural beauty around me. These early experiences ignited a lifelong passion for architecture and guided my educational journey.                                                                                                                                                                                                                                                                 During high school at Radford High School, I pursued my interest with dedication, enrolling in drafting and CAD courses throughout all four years. My commitment was further demonstrated when I participated in the VICA (Vocational Industrial Clubs of America) architectural drafting competition, where I proudly earned a silver medal among local high school competitors. Following graduation, I continued my studies at HCC, where I completed the AEC program. My pursuit of architectural excellence led me to the University of Hawaii at Manoa School of Architecture, where I further honed my skills and knowledge.                                                                                                                                                                                                                                                                                          In 2017, I realized my dream by founding Drafting Hawaii LLC. Running my own firm has been a rewarding endeavor, allowing me to apply my lifelong passion and expertise to a diverse range of projects. I am particularly excited about the opportunities to contribute to innovative and inspiring architectural designs.                                                                                                                                                                                              
  2. As a minority business owner, I have encountered numerous opportunities to engage with equity, diversity, and inclusion throughout my career. The diverse backgrounds and cultures of the team members I work with have profoundly enriched my experience. It’s truly impressive to see the unique perspectives and innovative ideas that a diverse team can bring to a project. Their varied experiences and viewpoints contribute to a more comprehensive and creative approach to architectural design, underscoring the value of inclusivity in achieving exceptional results.                                                                                                                                                   
  3. Architecture shapes the spaces we experience daily, influencing our moods, interactions, and overall sense of well-being. The design of a building—encompassing elements such as circulation, natural ventilation, purposeful sun shading, and orientation—plays a crucial role in how we engage with our environment. In Hawaii, thoughtful architectural design can significantly impact the future by creating spaces that are not only functional and aesthetically pleasing but also attuned to the needs of those who live, work, and play in them. By prioritizing well-designed spaces, we contribute to the prosperity and quality of life in our communities.”
  1.  
  2.  

  1. Since I was a little girl, I've always loved buildings and the different 3D spaces they create. As a toddler I would ask if we were going through the round or square tunnel on our drive to town from the windward side. (Round - Pali Tunnel, Square - Likelike Tunnel). I was always building, crafting, collaging projects at home out of the everyday stuff we had laying around the house. Making miniature doll furniture, an apartment building out of bookshelves, life-size forts out of sticks leaves and mud; I was always making. I got picture books at the library on architecture, and learned how to read plans, and began to understand how a building is put together. Self-exploration and encouragement by my family, allowed me to develop a love for architecture and pursue it as a career.                                                                                                                                                                               
  2. A lot of architecture firms are talking the talk, but few are walking the walk. I have a friend who was let go in the last trimester of her pregnancy. Another while on his planned and approved paternity leave, and was not given any severance package, which is otherwise standard for that company. A friend who was fired on the spot for giving his two weeks notice. A friend who requested reduced working hours to pursue professional development, and was denied, even though the firm encourages this. A friend who was promoted to a new project on a Thursday, which just happen to have a deadline that Monday, making for a very long weekend of work. A friend who was belittled and made to cry by a consultant.                                                                                                                                                                                                    
  3. Hawaii is such a special place, both because of its natural beauty and the culture and community it provides. But Hawaii is also just a small cluster of islands way out in the middle of the Pacific Ocean. We are small, secluded, and vulnerable to natural disasters. If anything bad were to happen, we are on our own. Help would take days to arrive. We have to be able to take care of ourselves. Architecture can help us become more resilient. I see us building better and smarter buildings to resist fire, storms, hurricanes, erosion, rising seas and rising temperatures. Denser and a little taller buildings, to create more affordable housing for locals, and keep our natural undeveloped lands untouched.
  4.  
  5.  

  1. I had a varied path in my twenties with an undergraduate degree in Theatre and making money as a carpenter. Architecture was a great combination of my artistic and building interests. It also aligned perfectly with the puzzle-loving and problem-solving sides of the way my brain works.                                                                     

  2. Our industry has a long way to go to have a better balance of equity, diversity, and inclusion. But I am hopeful that things will improve with the increased attention our field has been giving to EDI. Our built environment will only benefit from having a diverse group of design professionals. I only hope that there continues to be a push in the direction of balancing the field.                                                               

  3. Architecture profoundly shapes every facet of our community by defining the spaces where we live, work, and play. It's not just about buildings; it’s about creating environments that influence our daily lives, our ability to function effectively, and our overall well-being. Thoughtful design can enhance productivity, foster social connections, and promote mental and physical health. Moreover, the architectural choices we make today impact the legacy we leave for future generations, reflecting our values and aspirations. Architecture is a cornerstone of community life, shaping the present and future in ways that extend far beyond mere structures.

  4.  
  5.  

  1. Always wanted to be an architect! Built building spaces with building “blocks” at a young age. Built model houses in High School. Entered & won Long Beach furniture contest. Motivational start!                                                                  
  2. Was adopted, raised by a highly educated family. Am a minority. Donate time and support to Native American causes.                                                                                                                                                                   
  3. We need to understand that we are all equal in spirit. Hawaii is a major conglomeration of racial backgrounds. Need to offer motivational support to individuals who are interested in architecture. Time and sharing is a precious storytelling opportunity. Getting engaged with public and private school opportunities, it’s very rewarding.

  1. In college I studied product design and building science. I started to see buildings as ‘big’ products that we inhabit - living, learning, growing in every day. The opportunity to practice architecture came not only from interest, but also necessity when I was looking for a job post-graduation in the beginning of covid. Since then, I have been practicing architecture, working towards licensure, and more recently have been employed by a general contractor. The career growth opportunities and variety of niches in this industry are endless. I am excited to make an impact by daily working towards excellence in design & quality construction and making positive connections with people.                                                                                                        
  2. While there are many underrepresented groups, I would like to speak to my personal experience as a woman in the AEC industry. Although I went to a majority male university and work within a majority male industry, I feel grateful to say that in the early years of my career, I’ve had a great experience. I recognize - that I have had the opportunity to be taught by professors with a variety of gender identities and have been employed by a woman-owned business. This most likely impacted my experience.                                                                                                                                                                      
    In contrast, I have felt like I have been treated differently than other colleagues at industry trade shows. These interactions were frustrating but reminded me that outside of our ‘inner circles’, biases still very much exist within the industry.                                                                                                                                                                                          
    To me as a young woman in AEC, as cliche as it sounds, seeing other women in positions of power is extremely motivating. We have to strive to actively build up and support fellow women.                                                                                                                                                                                   
  3. While less glamorous, building renovation and maintenance is a huge part of architecture in Hawaii as our buildings are aging within the coastal environment. Striving for timeless design, quality construction, and thought given to the entire lifecycle of the building will allow our buildings to stay active and in use while the programming within them can adapt as needed for the communities they serve. Let’s preserve and adapt the iconic historic buildings that we still have. For new construction - let’s design buildings that provide innovative and thoughtful takes on vernacular Hawaiian architecture.
  4.  

  1. During my high school years, I felt like I enjoyed creativity and was interested in art courses. A mechanical drawing class came up and I truly enjoyed studying architectural history, model making, and manual drafting. I was sold on architecture once I entered The University of Arizona College of Architecture Planning and Landscape Architecture. There is the rigor, camaraderie, and interest that really sparked the idea that a career as an architect would be phenomenal.                                                         
  2. EDI is much more prominent today and this only occurs through leadership that cares. AIA itself was an organization of very few women board members, committee chairs, and firm leaders. This is definitely not the case today. In my own small firm, there are more women than men and on the AIA board I serve on, board make up is 50% women, with a woman who will be President in 2025. I support this wholeheartedly.                                                                                                                                            
  3. Architecture and our built environment will always be a priority for Hawaii. Buildings will always be in need, however, improving buildings and the technology of buildings to make resiliency and the addressing of climate action simply a norm in our island culture is definitely what is ahead for Hawaii.

  1. I was interested in both science and art and thought that architecture might have a good balance and be an interesting career. It was also a path that would allow me to move home and build a life on the islands.                                                                                                                                                                                                                              
  2. In Hawai’i at least, it’s not terrible, but could be much better. We’ve got representation from many ethnic groups and quite a few women, although my feelings on gender parity may be skewed because I am a woman and seek them out professionally. I’ve had issues, as have all women in this profession, being taken seriously and not being treated like a secretary, though it’s gotten better as I’ve gotten older and more confident in my abilities. I still frequently get misgendered when not face to face though.                                                                                                                                                                     
    There is a distinct lack of vocal representation of diverse abilities (physical, neuro, perceptual, intellectual) which is obvious in how our profession deals with accessibility as though it’s a great burden rather than something that should be a right. I find myself frequently having to fight on all sides (colleagues, clients, stakeholders) to explain why various pieces of regulation are in place from a perspective of loved experience of physical disability and neurodivergence and why it’s so important to offer accommodation and adaptability, even beyond what ADA and FHA require. I may not agree with every piece of regulation and code, but most are there for a very good reason. People seem to think that disability is rare or that people who are disabled don’t go out and live their lives, which is patently untrue.                                                                                                                                              
    One thing that I find quite odd is how little vocal representation we have in architecture here of LGBTQIA+ people. Considering the diversity that I went to school with, that has always felt skewed to me, and I’m not entirely sure why that is in practice. I understand not sharing that with clients as it’s a sometimes a degree of personal identity that you don’t want to get into, but in general, art, architecture and design have always seemed to me like a fairly identity-diverse group of people who are generally pretty open and open minded about these things, at least with peers and colleagues.                                                                                                                              
  3. I have strong feelings about needing more Pacific Islanders and native Hawaiians in the workforce so we’re less of a novelty or someone to point to as proof of cultural acumen and more of a regular resource. I’d love to see more of our people getting into architecture, design and engineering and supporting the community with traditional knowledge and values.
×

Upcoming Events

View Calendar